The theme for the meeting is Neighbourhood. Well, everyone has got a neighbourhood haven’t they? What’s happening in yours? If the answer is nothing, you’ll need to find somewhere more interesting. Don’t take too many risks though; it’s only a photograph after all.
The meeting takes place downstairs at Stills. Bring a print of you photograph, or themed group of photographs, so that we can display them on the wall.
£3 donation to Stills on the night.
The next meeting of the DCC is on Thursday, February 1st, at Stills, 7 pm. £3 donation to Stills on the night.
The theme is Surrealism. There are a lot of surrealist things happening in the world. Surrealism might even be the new normal. If you manage to get a photograph of a surrealist happening, fake or real, it doesn’t matter to us, bring it along to the next DCC meeting at Stills. Photographs should be in the form of prints.
The next meeting will be at Stills on Thursday 11th at 7pm.
The theme is Journey.
I have applied for a table at the Artists’ BookMarket which Stills are hosting on the weekend of 17th and 18th February next year. There are more details on Stills website.
If anyone has photobooks or photographic prints that they would like to sell you are welcome to join me (assuming that the application is successful).
I will pay the cost of the table, but I would like help in staffing it. If you are interested email me firstname.lastname@example.org
The next meeting of the DCC will be at Stills on Thursday 7th December: doors open 6.30 pm for 7 pm start. £3 donation to Stills.
There is no set theme for the night. It’s your chance to talk about any project you’re working on, or thinking about starting. Bring along one or more printed images to illustrate your project.
Advance warning that the theme for January 2018 is Journey. You might like to think about this over the festive period.
I propose to put together a Blurb photobook of members’ photos from 2017. As in previous years, I will be using Blurb’s small square format. You don’t need to input a square photo, I’ll discuss the options when I see your image(s).
The choice of images is up to you, Just pick one or two from 2017 that you’re proud of. They don’t need to have been shown at Camera Club.
The procedure is that I make the book, circulate it for approval, and buy one copy; it will then exist permanently on Blurb’s website. You can view it on line, or buy your own hard copy if you like.
I’ll bring along some books from previous years to the next meeting.
Send jpegs to me: email@example.com by December 1st 2017.
The next club evening is Thursday 2nd November at Stills. Doors open 6.30 for 7 pm start.
The theme is PARADOX. I have conducted extensive research to try to uncover the meaning of this word. As a result my mind is already totally messed up. All I can do is suggest that you carry out your own research.
You are required to bring along a photographic printed image of a paradox. I suspect that you will need to explain what is paradoxical about your image, but if the paradox somehow reveals itself to us without explanation, that would be wonderful.
£3 donation to Stills on the night.
The next meeting is at Stills on Thursday October 12th. Note the change of date to the second Thursday of the month. Doors open 6.30 pm for 7 pm start. Donation of £3 to Stills on the night.
The theme is ‘Escape’. Every day the news is full of people escaping from real dangers; escaping from war zones, from hurricanes, from earthquakes, from fires, from terrorist attacks, from famine.
Most of us don’t have these problems, but we still like to talk about escape; escaping from our day to day routine. We want to experience something new, new places, new people.
Bring along one or more printed images to illustrate your take on the theme of escape. Come prepared to say a few words of interpretation and explanation.
The next meeting is at Stills on Thursday 7th September, doors open 6.30pm for 7pm start.
The theme is ‘The Thing Itself’. Briefing notes have been given in a previous post; but the idea is that your photographs should have a sub-text; that they should require the viewer to unravel an intellectual puzzle. The puzzle doesn’t have to have an answer, in fact it might be better if it doesn’t, but the mystery should at least appear to be there.
Bring along 1 or 2 images, or a linked sequence. These should be in the form of prints which can be stuck to the wall using BluTack.
The format of the meeting will be slightly different to normal. A person, who is not the originator, will be selected to interpret each set of images. Interpretation will then be passed to the audience. Finally the originator will be asked for their interpretation (if they have one). We might end with a vote on the ‘Thingiest’ image.
The theme for September is ‘The Thing Itself’. I attach some advance briefing notes. Good luck. Don’t forget, August is ‘Happiness’.
Kant’s Critique of Pure Reason. Kant thought there was an external reality, but we may have a naive view of it. We use concepts like space and time; but if we had a different sense system we would see things differently. Kant thought we can not see ‘The Thing Itself’; only our version of it.
Science supports the idea that different animals may perceive the world differently. Bats navigate by sonar; dogs have a strong sense of smell. We think we are the ultimate life form, but maybe we only perceive a fraction of what is really going on. Does a snail have a theory of reality which includes the existence of humans? ‘The Thing Itself’ is out there, but we don’t recognise it.
Science fiction. It is easy to extrapolate the above thought train into science fiction. Maybe we are already surrounded by advanced life forms. Maybe if we were cleverer we could gain access to telepathy, teleportation, and time travel. Maybe we could develop artificial intelligence to access ‘The Thing Itself.’
Photography. The reasoning here is a bit more prosaic but draws on the above to some extent. John Szarkowski used the term ‘The Thing Itself’ in relation to a 1964 exhibition ‘The Photographer’s Eye’.
The point here is that reality is one thing; the photograph is another. The photographer uses a number of tricks: composition, timing, framing, vantage point, detail, in order to make the image interesting to the viewer; to tease the viewer with an intellectual puzzle; to imply a narrative which may or may not be present in reality. The photographer invites the viewer to experience a reward by making their own discovery of ‘The Thing Itself’.
As an example I offer this famous photo by our patron saint, William Eggleston. It’s a photograph of two men and a car, right? Wrong, it’s a photograph of ‘The Thing Itself’.
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